Montana Arts Council

An Agency of State Government

 

 

 


It's been said that Montana's folk arts are inspired by our lands and made by our hands. Born deep in Big Sky Country's landscape, folk and traditional arts spring from the needs of a community. While having a use, the work of the quilter, the saddlemaker, the ironworker, the parfleche maker, and the potter also are visible evidence of who we are. But because these artists are just around the corner they're often hidden in plain view.

To celebrate Montana's heritage and showcase the folk arts, the Montana Arts Council founded the Montana's Circle of American Masters in the Folk and Traditional Arts. This program recognizes Montana folk artists for artistic excellence and preservation of our cultural heritage.

What are folk and traditional arts?

The folk and traditional arts include fine handcraft, decorative arts, and performance practices that are indigenous to a community (ethnic, geographic, linguistic, religious, occupational) or family. They reflect the aesthetics and values of the community in which they arise and are often symbols of a group's identity. Examples include (but aren't limited to) quilting, beading, saddlemaking, tole painting, ledger art, or calligraphy. Dance, songs, poetry, instrumental music, storytelling, and local architecture are forms of traditional arts not designated as visual.

Traditional arts are learned informally, through careful observation and practice, usually from elders and masters and often passed on from one generation to the next. They can be self-taught within a tradition.

Marc Brogger

Marc Brogger, a fifth-generation Western horseman, has built over 900 saddles since the start of his career in 1981. He is well respected in the Western community for his intricate leather work and flower stamping, bringing his skills to creating ornately hand-tooled saddles which bridge art and utility. On the enriching nature of his work, Brogger states, “I believe in art and in not just being little machines that go to work every day. I think art just makes life for everyone more interesting.”

Dedicated to supporting and preserving the creation and use of Western art, Brogger has participated in workshops, art shows, gatherings, and rodeos. His saddles have been featured at the Western Folklife Center in Elko, Nevada, at the Dry Creek Arts Fellowship in Flagstaff, Arizona, and in multiple publications including on the covers of books such as David Stoecklein’s Saddles of the West. In 2015, the Academy of Western Artists named Brogger “Saddle Maker of the Year.”

Glenn Gilmore

While growing up, artist-blacksmith Glenn Gilmore’s parents encouraged him to observe and question the processes and mechanics that produced the world around him. These formative experiences catalyzed what’s become more than a four-decade-long career using the command of his eyes and mind, and the skill of his hands, to give life to his artistic vision through metal. “Working with metal heated to 2300 degrees, sweat on my forehead, scale falling from the steel as I shape it - these have been the ‘big part’ of my life,” he states.

Since 1980, Gilmore has compiled an extensive resume that includes over 25 honors, including “Best Artist – Metal” in 2001, 2012, 2013, 2015, and 2016 at the Western Design Conference in Jackson, WY; features in over 30 prestigious juried exhibitions, such as the Invitational Metalwork Exhibition at the Artist Blacksmith Association of North America International Conference, in Salt Lake City, Utah; and features in over 50 books and national publications, such as Western Art & Architecture, Fine Furnishings International, Cowboys and Indians, and Western Art & Architecture.

Terry Hill

Terry Hill, a fourth-generation Montanan, spent 29 years as a game warden for the Montana Department of Fish, Wildlife & Parks before retiring in 2007. Come 2009, Hill discovered his love for segmented woodturning through a course taught by Rich Charlson, a previous MCAM honoree, who he studied under for six months. Today Hill channels his passion for Montana's natural beauty and wildlife through his stunning segmented woodturning, specializing in designs that depict natural scenes, wildlife, ranching, and farming.

Hill's artistic legacy transcends his craftsmanship. Hill has donated his works to numerous charities and auctions, including those for families burdened by extreme medical costs, to be auctioned for medical bill assistance. Also a general stick-building wood craftsman, Hill also makes and donates gun cabinets, china cabinets, poker tables, and other items which he has donated to local conservation groups, including Pheasants Forever, the Turkey Federation, and the Safari Club.

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To learn more about the 2023 Montana Circle of American Masters honorees, read the special section in the Spring 2023 issue of State of the Arts, available right here.

Learn more about all previous Montana Circle of American Masters recipients here.


 

Montana American Masters:

  • Are recognized as exemplary practitioners of visual traditional art forms, and their work reflects the highest quality of craftsmanship, design, and authenticity.
  • Have listened to the heartbeat of their community, learning their art form through informal study and by carefully watching, listening, and doing.
  • Create works in depth and brilliance that deepen our awareness of the rich and diverse cultural and artistic traditions of the people of Montana.
  • Actively participate in their art form, as a practitioner, a mentor, or teacher, in order to promote public awareness regarding the eminence of the creative sector.
  • Adhere to cultural artistic traditions to preserve their art form, in the process contributing to the public visibility of traditional arts, crafts, and artists.
  • Understand that as a reflection of their culture, their art is a living form that continues to be shaped by creativity and innovation.
  • Act as a model for excellence and a conduit for process and inspiration, influencing other generations of artists working within the region and beyond.

Who is eligible to be selected for this honor?

  • Awards are made to individuals, not to groups.
  • No posthumous awards are given.
  • An individual must be a practicing artist in traditional arts.
  • The individual must have a valid Montana address as a permanent resident of the state.

What are the review criteria?

The folk arts are complex with a diversity of aesthetics requiring a broad range of criteria to encompass all the art forms. Consideration must be given to the traditional methods and techniques used, the skill of the artist, and the method in which they learned their art.

This award focuses on master artists, how they learned their art form, their body of work, and their contribution to their community and art form. As the embodiment of a tradition, the body of art should be of high quality, considering aesthetic excellence, workmanship, and authenticity. The artist's contribution should speak to how a cultural way has been sustained.

 

1. Artistic Excellence

The aesthetic qualities of the body of work depend on its design and how that design creates visual appeal, marries with the materials, and satisfies function. The design:

  • Is visually appealing.
  • Has components (color, texture, shape, proportion) that are balanced and relate to each other as a whole.
  • Satisfies and even enhances the function.
  • Reflects the artist's understanding of materials, their limitations and possibilities.
  • Displays the artist's investment of time, thought, knowledge, and skill.
  • Shows strength in the originality or tradition use of design.

 

2. Craftsmanship

The technique with which the art is executed in the body of work is important both to enhancing the design and in fulfilling the intended function of the pieces. The work:

  • Demonstrates the artist's technical skill in working in the medium.
  • Proves the artist's proficiency in the tools and techniques required for the work.
  • Proves the artist's working knowledge of the medium, its qualities, and its limitations.
  • Is constructed soundly, with a view to fulfill its function.
  • Shows that the artist has paid attention to all details in the work.
  • Illustrates the artist's mastery of the execution of the art form.

 

3. Authenticity

The authenticity of the work speaks to both honouring the past and giving to the future. The body of work of a Master artist:

  • Reflects established traditions, forms, mediums of the culture or group it represents.Has become a significant part of its artistic tradition.
  • Reflects individual growth and creativity within the tradition.

 

4. Contribution

Traditional arts are not created in a vacuum. Therefore it is important that the selection criteria for a Master include the individual's contribution to the community through sharing the art form and raising public awareness. A Master is:

  • Held in respect by his or her peers and in the community, a position proven by the level of support and the awareness of their art form in the community.
  • Has made on-going contributions to the excellence, vitality, and public appreciation of their art form through teaching, advocacy, organizing, and preserving their artistic tradition.
  • Has contributed to the awareness of their art form by significantly increasing the public visibility of traditional arts, crafts, and artists.

MCAM Guidelines PDF

 

What is the Montana's Circle of American Masters?

“Montana’s Circle of American Masters in Visual Folk and Traditional Arts” celebrates the contributions of Montana’s master artists in visual traditional and folk arts. A member of Montana’s Circle of American Masters is a person who throughout their lifetime of work in the traditional arts has created a notable body of work. Of significant cultural and artistic stature, their work is representative of the historic, traditional, and innovative arts and handcrafts distinctive to the State and is worthy of note on both a state and national level. 

What are visual folk and traditional arts?

The visual folk and traditional arts include fine handcraft and decorative arts that are indigenous to a community (ethnic, geographic, linguistic, religious, occupational) or family. They reflect the aesthetics and values of the community in which they arise and are often symbols of a group’s identity. Examples include (but aren’t limited to) quilting, beading, saddlemaking, tole painting, ledger art, or calligraphy. Dance, songs, poetry, instrumental music, storytelling, and local architecture are forms of traditional arts not designed as visual. Food traditions, dialects, ways of celebrating, ways of work, and belief systems are placed in the broader category of folklife. All these grassroots ways of knowing have woven Montana’s rich heritage. 

Traditional arts are learned informally, through careful observation and practice, usually from elders and masters and often passed on from one generation to the next. They can be self-taught within a tradition. Although inherently created for specific use, traditional arts can move beyond functionality. Many of these arts, in spite of having roots in utility (quilt design, wheat weaving), have become primarily decorative. Because of this marriage of function and aesthetics, both qualities must be inherent in the art of fine handcraft. 

What is the purpose of this program?

The purpose of Montana’s Circle of American masters is to: 

  • Identify and highlight Master Artists and their work exemplifying aesthetic achievements in the visual traditional, folk, and native arts in Montana;
  • Recognize exemplary artists and their lifetime achievement, artistic excellence, and contributions to the State’s traditional arts and fine had crafts heritage; 
  • Honor and preserve the State’s diverse artistic and cultural heritage; 
  • Deepen our awareness of the rich and diverse cultural and artistic traditions of people in Montana through educational programs, documentation, and media resources. 
  • Promote public awareness of the importance of the creative sector, especially folk and traditional arts. 

What are the program's guiding principles?

As the state’s most eminent and notable folk and traditional artists, Montana American Masters: 

  • Are recognized within their community as exemplary practitioners of visual traditional art forms, their work reflecting the highest quality of craftsmanship, design, and authenticity.
  • Have listened to the heartbeat of their community, learning their art form through informal study and by carefully watching, listening, and doing. 
  • Create works in depth and brilliance that deepen our awareness of the rich and diverse cultural and artistic traditions of the people of Montana.
  • Actively participate in their art form, as a practitioner, a mentor, or teacher, in order to promote public awareness regarding the eminence of the creative sector. 
  • Adhere to cultural artistic traditions and work in order to maintain the aesthetics and preservation of their art form, in the process contributing to the public visibility of traditional arts, crafts, and artists. 
  • Understand that as a reflection of their culture, their art is a living form that continues to be shaped by creativity and innovation.
  • Act as a model for excellence and conduit for process and inspiration, influencing other generations of artists working within the region and beyond. 

What are the benefits of this honor?

Honored traditional artists will benefit from their designation as  a Montana American Master in several ways: 

  • In a Capitol Rotunda ceremony, join the ranks of artists of their ilk, Montana’s best traditional artists. 
  • Have professional photographers record their work free of charge, with that record then archived.
  • Have the opportunity to share their knowledge and work on the Montana Arts Council website. 
  • For state and regional exposure, provide work for a catalogue and potential exhibition. 
  • If they so wish, be featured in a special web gallery space on the State’s Made in Montana site.
  • Participate in a video interview. 
  • Share information about their art form to a wider public. 
  • Have the opportunity to participate in events such as the National Folk Festival in Butte, Montana. 
  • Receive recognition at public events and through state, local and national publications. 

Who is eligible to be selected for this honor?

 

  • Awards are  made to individuals, not to groups. 
  • No posthumous awards are given. 
  • An individual must be a practicing artist in traditional arts. 
  • The individual must have a valid Montana address as a permanent resident of the state. 

How is a member of the Montana's Circle of American Masters selected?

Step 1:

  • Any Montanan may recommend for consideration an individual who meets the eligibility criteria. To start the selection process, fill out the Nomination Form as completely as possible, including the short artist’s bio. This form provides necessary basic information about the artist.

Step 2:

  • Gather the supporting information requested in the form of letters showing community support, newspaper and magazine articles, website sources or any videos (Section 7).

Step 3:

  • Gather the requested photographic documentation of the artist and their work (Section 8). Photographs should be of high quality in order to fully and accurately represent the depth and brilliance of the body of the nominee’s work. 

Step 4:

  • Submit the materials gathered. Electronically is preferred, to: mac@mt.gov. Hard copies can be submitted to: Montana Arts Council, PO Box 202201, Helena, Montana 59620-2201.

Step 5:

  • The Montana Arts Council will review the materials received and will contact the artist in order to gather any additional information and documentation necessary to prepare the information packet for review by a recognized expert in the medium in which the nominee works.

Step 6:

  • When an information packet is ready for review, the recognized expert will examine the nomination and supporting materials using the guiding principles and review criteria.

Step 7:

  • The expert will make a recommendation to the Montana Arts Council for Circle of American Masters recognition. The Council will make all final decisions.

What is the deadline for submitting materials?

  • Nomination forms are accepted year-round and are submitted for review when they are deemed complete and all supporting information has been gathered. The Council receives recommendations for the Circle at its regular meetings held twice to three times a year. 

 

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